SOLO/DUO EXHIBITIONS
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2018 |
Foley Gallery, New York City, "Secret Universe" |
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2017 |
GearBox Oakland , CA. “OTHERWISE” with Marsha Balin |
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2017 |
Sebastopol Center for the Arts, CA. “Stranger than Fiction” with John Hundt |
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2016 |
The Art Wall at Shige, Cotati, CA Curated by Colin Talcroft |
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2013 |
Rochioli Winery, Healdsburg, CA |
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2013 |
Le Carré at the Hyatt , Santa Rosa, CA |
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2011 |
Matanzas Creek Winery, Santa Rosa, CA |
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2010 |
Rochioli Winery, Healdsburg, CA |
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2010 |
Chateau Sonoma, Sonoma, CA |
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2010 |
Copperfields, Santa Rosa, CA |
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2006 |
Beyond Expectations, San Francisco, CA |
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1998 |
The Depot, Mill Valley, CA “Flight of Fantasy” |
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1994 |
Bucci’s, Emeryville, CA “The Mind’s Eye”
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1994 |
Wilkes Bashford, San Francisco, CA |
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1991 |
Cecile Moochnek, Berkeley, CA. “The meaning of life” |
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SELECTED GROUP EXHIBITS
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2022 |
Exhibition at the Annual Birr Vintage and Arts Festival in IRELAND, plus simultaneous show in |
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WARSAW, POLAND. Exhibit entitled “Migration”. Curated by Polish curator, Marta Janik. |
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2022 |
“Exposició de Collage” (invitational) in Formentera (Balearic Islands), SPAIN. Curator Rebeka Elizegi |
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2021 |
Artist Alliance/Jen Tough Gallery, Santa Fe, NM. Six juried virtual exhibitions during the course of the year. |
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2020 |
Artist Alliance (Jen Tough Gallery) Virtual Exhibition. Santa Fe NM “Natural Worlds” Juried by Michael |
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Schemchuk |
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2020 |
516 ARTS Albuquerque, NM and Kolaj Institute. “Radical Reimaginings”. International virtual |
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invitational collage exhibit. Curated by Suzanne Sbarge and Ric Kasini Kadour. |
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2019 |
Concord Center for the Visual Arts, MA “Unfoldingobject” Curated by Todd Bartel, Gallery Director, |
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Thompson Gallery at Cambridge School of Weston |
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2018 |
DZINE, San Francisco "Cracking Nutshells" Philip Bewley, Curator |
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2018 |
Richmond Art Center, CA "Cutting Edge: Collage" Curated by Jan Wurm |
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2017 |
Union Street Gallery, Chicago. National Collage Society Juried show. Cory Peeke, Juror |
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2017 |
Arts Guild of Sonoma, CA "Celebrate" Juried by Donna Seager |
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2017 |
Retroavangarda.com (Anna Klos), Poland. Selected for online “Gallery of Friends". |
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2016 |
International Museum of Collage, Assemblage and Construction, Santa Fe, New Mexico. |
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“Dada Centennial: Day of the Dead”. |
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2016 |
Stanford Art Spaces, Stanford University, Palo Alto, CA. "Metamorphic: Collage in the "Dada and Surrealist" |
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tradition." Curated by Dewitt Cheng. |
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2016 |
Narrative Movements, West Bengal, INDIA “Defining Traits of Humanity” Curated by Bibek Santra, |
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Director. Invitational. |
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2016 |
Petaluma Arts Center, Petaluma, CA “Zeitgeist” Juried show: Awarded 3rd prize. |
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2016-15 |
Nisa Touchon Fine Art, Santa Fe, NM. "Exquisite Corpse. Surrealist Tendency in Collage" |
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With Hope Kroll and Frank Whipple |
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2015 |
Sebastopol Center for the Arts, Sebastopol, CA Juried show: "Black and White", "Wetlands". |
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2015 |
Hammerfriar Gallery, Healdsburg CA "Ain't Natural": 4-artist collage show. |
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2014 |
The Art Wall at Shige, Cotati, CA "The Art of Collage" Curator: Colin Talcroft. |
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2014 |
Sebastopol Center for the Arts, Sebastopol, CA Juried show: "Beasties." |
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2014 |
Gallery Zipp, Santa Fe NM Invitational group show: "Used". Curated by Bunny Tobias. |
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2013 |
Gallery 6pdx, Portland, OR. "It's been surreal". |
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2013 |
Arts Guild of Sonoma, June Invitational |
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2012 |
Quicksilver, Forestville, CA. "The Last Hurrah" Invitational |
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2012 |
12x16 Gallery , Portland, OR "Playing with a full Deck" collaborative invitational. Curator Liz Cohn. |
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2012 |
Hotel 235, Healdsburg, CA. Curator: Jill Plamann. |
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2012 |
SOMArts, San Francisco, CA "Get Lucky, the Culture of Chance". Commemorating John Cage. |
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Curated by Hanna Regev. |
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2012 |
San Francisco Center for the Book "Left to Chance" Curated by Hanna Regev. |
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2011 |
Firehouse North, Berkeley, CA "EXCOR, Revival of Exquisite Corpse". |
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2010 |
Studios on A, Santa Rosa, CA Inaugural Exhibit of "EXCOR: Revival of Exquisite Corpse". |
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2010 |
Hammerfriar Gallery, Healdsburg, CA |
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2009 |
Sonoma Valley Museum of Art Biennial, Sonoma, CA. "Contemporary Perspectives" Juried show.. |
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2009 |
Skinner Howard Contemporary Art, Sacramento, CA Curated by Susan Alexander. |
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2008 |
Gallery Zipp, Santa Fe, Invitational: "Spontaneous Combustion". |
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2008 |
Arts Council of Sonoma, Santa Rosa, CA. Juried by David Best. |
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2003 |
Sonoma State University, Cotati, CA. “The Obsessive Poetics of Collage”. |
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2002 |
Imani Gallery, Napa, CA |
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2001 |
Next Level Communications, Rohnert Park, CA. Two juried shows: “Retro 8th Rotation” and |
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"Wired." Curated by Barbara Thoulion. |
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2000 |
Winters Gallery, Winters, CA. “Gods and Demons” Curated by Susan Alexander. |
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1994 |
USART EXPO,San Francisco, CA. represented by Denenberg Fine Arts. |
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1994 |
Denenberg Fine Arts. San Francisco, CA |
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1990 |
Madison Avenue Art Gallery, Sonoma, CA |
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1978 |
Nathan Gallery, San Francisco, CA |
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1973 |
Union Street Art Gallery, San Francisco, CA |
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1972 |
134th Street Gallery, Bellevue, WA |
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1971 |
Village People, New York City, NY |
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1971 |
Four Oaks Gallery, Pasadena, CA |
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1969-70 |
Participant in Ray Johnson’s Correspondence School, NY |
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SPECIAL PROJECTS
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2019 |
GEORGIA O’KEEFE AND THE CREATIVE REBELS in connection with Opera Parallèle’s opera about |
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Georgia O’Keefe, “Today it Rains.” Selected as one of 4 “creative rebels” to give a pre-performance talk |
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with projections of my work. |
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2018 |
SF JAZZ CENTER/OPERA PARALLÈLE, San Francisco. Set design featuring large animated projections of |
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my collages for Jake Heggie's opera, "At the Statue of Venus". |
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2017 |
SF JAZZ CENTER/OPERA PARALLÈLE, San Francisco CA. Designed poster/announcement for the |
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February 2018 opera duo performance: Leonard Bernstein’s “Trouble in Tahitti” and Jake Heggie’s “At the |
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statue of Venus.” Published in 2017/18 SFJAZZ season brochure. |
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2017 |
“MARVELOUS! An International Exhibition of Collage, Assemblage, and Construction.” Sebastopol |
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Center for the Arts, CA. Juror and Marketing consultant: Assisted in planning, direction, curating, and |
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implementation of the show. Designed logo, poster, ads, and souvenir brochure. |
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2016 |
NEUROC Album designs. Commissioned by avant garde music producer, NEUROC in Osaka, Japan |
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to use my images on the albums of three contemporary composers: Haruka Sumikawa, Naoki Zushi, |
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Akiro Shimizu. |
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2016 |
Imagery Winery label design. Commissioned by Imagery Winery/The Wine Group. Image used on |
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2017 Cabernet Franc. |
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2010-12 |
EXCOR: Revival of Exquisite Corpse (2-year collaborative invitational) Originator, director. curator, and |
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participating artist.
Exhibits in Santa Rosa, Berkeley, San Francisco |
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2011 |
Author of EXCOR: Revival of Exquisite Corpse. The Art of CHANCE.
80-page book includes history of |
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the Surrealist game, Exquisite Corpse; documents a two-year collaborative
adventure, features 50 color |
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plates of the EXCORS; and includes bios of the 34 participating artists. |
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2011 |
Proposed, directed, and curated Matanzas Creek Winery's inaugural year- long "ARTaste" series, |
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featuring solo shows of artists from Sonoma County. |
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PUBLICATIONS/REVIEWS
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2024 |
Kolaj Magazine #38 (online). Article: "Chance is my Muse", featuring 4 color images of my work, |
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plus text, statement and bio. |
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2023 |
What Kind of Collage is That? by Katie Blake, 143-page color reference book published by Whatapageturner |
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Press, Eagle River Alaska 2023, featuring one of my collages and description of my process: |
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”orchestrated chance.” |
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2022 |
Kolaj Magazine #35 (online). Article: “Orchestrated Chance”, featuring four color images of my work. |
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2021 |
Album cover for “Nocturnes”. Composer Naoki Zushi. Produced by NEUROC, Osaka, Japan. |
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2021 |
Wild Lands. Image and bio included in art book published by Jen Tough Gallery, Santa Fe. |
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2020 |
Radical Reimaginings. 94-page catalogue for international virtual collage exhibition produced by 516 ARTS, |
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Albuquerque NM, and Kolaj Institute. Features color spreads of the work of 40 invited collageartists from |
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around the world. |
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2020 |
Kolaj Magazine, #29, June 2020 (online version). Article with images: “Orchestrated Chance.” |
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2019 |
Book, unfoldingobject – the art of collage. Written and curated by Tod Bartel. Concord Center for the |
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Visual Arts, 2019. |
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2019 |
Book, Collage by Women, 50 Essential contemporary artists. Written and curated by Rebeka Elizegi, |
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Published by Promopress Editions, Barcelona, Spain |
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2017 |
Kolaj Magazine (online). Artist Spotlight: Sherry Parker "Chance and Serendipitous Discovery" |
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(September) |
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2017 |
Dada Centennial, Day of the Dead, by Cecil Touchon. 4/c image published in this 280-page catalogue. |
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2017 |
L’internaute.com Salon-littéraire. Review: “Sherry Parker la pudique.” By Jean Paul Gavard-Perret 2/1 |
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2017 |
Les Blog De l’art helvétique contemporain. Review: “Sherry Parker une chatte aux croussinets feutrés” |
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By Jean-Paul Gavard-Perret. 2/4 |
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2015 |
Selected by Kolaj Magazine and featured in their Trading Card series (Pack #6) "One Trick Pony". |
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2015 |
The New Mexican's weekly, Pasatiempo 11/13/15
Two-page article entitled "Making the Cut, collage |
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artists Hope Kroll, Sherry Parker, and Frank Whipple" featuring the show at the Nisa Touchon Fine Art |
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gallery in Santa Fe: "Exquisite Corpse. The Surrealist tendency in collage". |
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2015 |
Colin Blogs: May: "I'm Looking at 'Ain't Natural' at the Hammerfriar Gallery in Healdsburg, CA |
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2015 |
Kolaj Magazine, Issue eleven, January. "Broken Bodies, Exhibition in Print" by Ric Kasini Kadour: |
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Reconstruction:"Making Magic" by Sherry Parker |
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PERSONAL/EDUCATION
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40-year career in advertising and marketing research |
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1970-69 |
Université de Lausanne, Switzerland. (Graduate degree in French) |
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1968 |
Occidental College (Bachelor of Arts) |
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